Vilppu - Drawing Manual Chapter 12, Atmospheric Perspective | 731 MB
Atmospheric perspective is normally discussed in conjunction with landscape painting since its true effect is primarily seen in nature in conjunction with great distances in space. The figurative artist has taken this sense of atmosphere and developed it as a strong tool of expression by abstracting the main elements and learning to use them while describing form. In the last two chapters, I have already indicated some of the main elements involved in atmospheric perspective. First, the graying and loss of detail as objects recede in space due to more atmosphere coming between the viewer and the object. Second, the use of this phenomenon in a formulaic manner by artists to separate forms. In this chapter, using the idea of atmosphere will be expanded upon to include its use as a basic element of design in drawing to enhance the action of the figure and to clarify the three dimensionality of the form. Glenn breaks this down into a series of steps that are easy to understand and apply. Contains: Lecture, demonstration and a model to draw.
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